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This column's question:
Margaret answers: So just how do I go about this important task? What do I keep in mind when I'm first coming up with "my people," as I call them?
This is especially true in commercial fiction, where the great charge levelled against the books is that "they're all the same." There may only be a finite number of plots, but there is infinite variety among people!
How do you create your characters?
I consider the characters the single most important element of my books. More than plot, more than setting, it's the characters, their emotions, their reactions and decisions, that make the story. Therefore, my goal as an author
is to create interesting, three-dimensional characters -- people who are fictional, but seem real to the reader.
They can do the wrong things, but they will do it for the "right" reason (i.e. an unselfish one), or they feel remorse and guilt -- or both.
No romantic hero or heroine should ever be perfect. Perfect is boring.
A hero or heroine does not have to be drop-dead gorgeous. Scars are interesting. Physical imperfections render a character "more human."
Secondary characters also provide more opportunities for dialogue -- one of the best ways to "show, not tell" in writing.
Secondary characters are expendable. Unlike your hero and heroine, they can die, which you can use to create tension and angst on the part of the other characters, and the reader.
The more shading and extra dimensions you can give to secondary characters, the richer your book will be.
The least interesting villain is one with a simplistic motive such as insanity or monetary gain.
The more complicated you can make your villain's motivation, the more interesting he or she will be, and a more fitting foil to the hero and heroine.
THE GREATER THE VILLAIN, THE GREATER THE GLORY OF DEFEATING HIM.
Creating characters can be hard work, but it can also be the most fun. Good luck! And remember, I'll believe anything about a character if you give me a good reason.
BEWARE: Don't let the villain be the one calling all the shots. Ensure that your hero and heroine initiate action -- that they aren't simply reacting to whatever the villain does. This will make them seem weak and ineffectual.